The arts
From the plays of William Shakespeare to the music of the Sex Pistols, British art has had a tremendous impact on world culture. Writers from every part of the United Kingdom, joined by immigrants from parts of the former British Empire and the Commonwealth, have enriched the English language and world literature alike with their work. British studios, playwrights, directors, and actors have been remarkable pioneers of stage and screen. British comedians have brought laughter to diverse audiences and been widely imitated; British composers have found devoted listeners around the world, as have various contemporary pop groups and singer-songwriters; and British philosophers have had a tremendous influence in shaping the course of scientific and moral inquiry. From medieval time to the present, this extraordinary flowering of the arts has been encouraged at every level of society. Early royal patronage played an important role in the development of the arts in Britain, and since the mid 20th century the British government has done much to foster their growth.
The independent Arts Council of Great Britain, which was founded in 1946, supported many kinds of contemporary creative and performing arts until 1994, when it devolved into the Arts Council of England (which became Arts Council England in 2003 after joining with the Regional Arts Boards), the Arts Council of Wales, and the Scottish Arts Council (the last becoming Creative Scotland 2010, when it consolidated with Scottish Screen). Having developed separately from the Arts Council of Great Britain, the Arts Council of Northern Ireland reorganized in 1995.
The state-owned British Broadcasting Corporation (BBC) and privately owned Channel Four Television are also major patrons of the arts, especially music and film. The work of filmmakers and actors throughout the United Kingdom is supported by the Film Council, a government board that helps fund productions and secure film-related services. This support has contributed to the great expansion of the market for cultural goods and of audiences for the arts generally. As in many other highly developed countries, the clash of tastes and values between generations and, to some extent, between social classes has occasionally been sharp, as it was in the 1960s and ’70s. However, the overall effect of social and financial diversity has been to make culture a major British industry.